Editing - Hartt

Editing

Editing is the juxtaposition (placing side by side) of different shots to create meaning. Their are different editing techniques like the cut where it is a sudden change of shot from one location to another.

A basic rule in editing it that if anything important happens, show it as a close up.

Cut
A visual transition created in editing in which one shot is instantaneously replaced on screen by another.

Continuity editing
Editing that creates action that flows smoothly across shots and scenes without jarring visual inconsistencies. Establishes a sense of story for the viewer.

Cross cutting
Cutting back and forth quickly between two or more lines of action, indicating they are happening simultaneously.

Dissolve
A gradual scene transition. The editor overlaps the end of one shot with the beginning of the next one.

Editing
The work of selecting and joining together shots to create a finished film.

Establishing shot
A shot, normally taken from a great distance or from a "bird's eye view," that establishes where the action is about to occur.  

Fade
A visual transition between shots or scenes that appears on screen as a brief interval with no picture. The editor fades one shot to black and then fades in the next. Often used to indicate a change in time and place.

Final cut
The finished edit of a film, approved by the director and the producer. This is what the audience sees.

Jump cut
A cut that creates a lack of continuity by leaving out parts of the action.

Matched cut
A cut joining two shots whose compositional elements match, helping to establish strong continuity of action.

Rough cut
The editor's first pass at assembling the shots into a film, before tightening and polishing occurs.

Sequence shot
A long take that extends for an entire scene or sequence. It is composed of only one shot with no editing.

Shot reverse shot cutting
Usually used for conversation scenes, this technique alternates between over-the-shoulder shots showing each character speaking.

Straight shot
A sudden change of shot from one viewpoint to another.

Wipe
Visible on screen as a bar travelling across the frame pushing one shot off and pulling the next shot into place. Rarely used in contemporary film, but common in films from the 1930s and 1940s.